In less than a decade after William Spratling arrived in Taxco, he had transformed it into a flourishing silver center, the likes of which had not been seen since colonial times. In 1929 the writer-architect from New Orleans settled in the then sleepy, dusty village because it was inexpensive and close to the pre-Hispanic Mexcala culture that he was studying in Guerrero Valley.

For hundreds of years Taxco’s silver was made into bars and exported overseas. No one even considered developing a local jewelry industry. Journeying to a nearby town, Spratling hired a couple of goldsmiths and commissioned them to create jewelry, flatware, trays, and goblets from his own designs. Ever the artist with a keen mind for drawing, design, and aesthetics, Spratling decided to experiment with silver using his designs. Shortly afterward, he set up his own workshop and began producing highly innovative pieces. By the 1940s Spratling’s designs were gracing the necks of celebrities and being sold in high-end stores abroad.

Spratling also started a program to train local silversmiths; they were soon joined by foreigners interested in learning the craft. It wasn’t long before there were thousands of silversmiths in the town, and Spratling was its wealthiest resident. He moved freely in Mexico’s lively art scene, befriending muralists Diego Rivera (Rivera’s wife, Frida Kahlo, wore Spratling necklaces) and David Alfaro Siqueiros as well as architect Miguel Covarrubios. The U.S. ambassador to Mexico, Dwight Morrow, father of Anne Morrow who married Charles Lindbergh, hired Spratling to help with the architectural details of his house in Cuernavaca. American movie stars were frequent guests at Spratling’s home; once, he even designed furniture for Marilyn Monroe.

When his business failed in 1946, relief came in the form of an offer from the United States Department of the Interior: Spratling was asked to create a program of native crafts for Alaska. This work influenced his later designs. Although he never regained the wealth he once had, he operated the workshop at his ranch and trained apprentices until he died in a car accident in 1969. A friend, Italian engineer Alberto Ulrich, took over the business and replicated Spratling’s designs using his original molds. Ulrich died in 2002, and his children now operate the business.

Spratling bequeathed his huge collection of pre-Hispanic art and artifacts to the people of Taxco, and they’re now displayed in a museum carrying his name. The grateful citizens also named a street after their much-beloved benefactor and put a bust of him in a small plaza off the main square.


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